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Read the poems below then answer the questions.
Poem 1: The Road Not Taken by Robert Frost
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveller, long I stood
And looked down one as far as I could
To where it bent in the undergrowth; 5
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same, 10
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back. 15
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less travelled by,
And that has made all the difference. 20
1 What is the theme of the poem?
Read the poems below then answer the questions.
Poem 1: The Road Not Taken by Robert Frost
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveller, long I stood
And looked down one as far as I could
To where it bent in the undergrowth; 5
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same, 10
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back. 15
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less travelled by,
And that has made all the difference. 20
2 In the first stanza, what was the poet’s dilemma?
Read the poems below then answer the questions.
Poem 1: The Road Not Taken by Robert Frost
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveller, long I stood
And looked down one as far as I could
To where it bent in the undergrowth; 5
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same, 10
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back. 15
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less travelled by,
And that has made all the difference. 20
3 What did the poet decide in the second stanza?
Read the poems below then answer the questions.
Poem 1: The Road Not Taken by Robert Frost
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveller, long I stood
And looked down one as far as I could
To where it bent in the undergrowth; 5
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same, 10
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back. 15
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less travelled by,
And that has made all the difference. 20
4 What does yellow wood symbolise in line 1?
Read the poems below then answer the questions.
Poem 1: The Road Not Taken by Robert Frost
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveller, long I stood
And looked down one as far as I could
To where it bent in the undergrowth; 5
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same, 10
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back. 15
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less travelled by,
And that has made all the difference. 20
5 In lines 2 – 4, what literary device was used?
Read the poems below then answer the questions.
Poem 1: The Road Not Taken by Robert Frost
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveller, long I stood
And looked down one as far as I could
To where it bent in the undergrowth; 5
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same, 10
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back. 15
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less travelled by,
And that has made all the difference. 20
6 Which of these lines describe the road less travelled by?
Read the poems below then answer the questions.
Poem 1: The Road Not Taken by Robert Frost
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveller, long I stood
And looked down one as far as I could
To where it bent in the undergrowth; 5
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same, 10
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back. 15
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less travelled by,
And that has made all the difference. 20
7 Why was the poet doubtful about the first road?
Read the poems below then answer the questions.
Poem 1: The Road Not Taken by Robert Frost
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveller, long I stood
And looked down one as far as I could
To where it bent in the undergrowth; 5
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same, 10
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back. 15
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less travelled by,
And that has made all the difference. 20
8 What type of imagery is used in line 4?
Poem 2: Kissing in Vietnamese by Ocean Vuong
My grandmother kisses
as if bombs are bursting in the backyard,
where mint and jasmine lace their perfumes
through the kitchen window,
as if somewhere, a body is falling apart 5
and flames are making their way back
through the intricacies of a young boy’s thigh,
as if to walk out the door, your torso
would dance from exit wounds.
When my grandmother kisses, there would be 10
no flashy smooching, no western music
of pursed lips, she kisses as if to breathe
you inside her, nose pressed to cheek
so that your scent is relearned
and your sweat pearls into drops of gold 15
inside her lungs, as if while she holds you
death also, is clutching your wrist.
My grandmother kisses as if history
never ended, as if somewhere
a body is still 20
falling apart.
9 What societal conflict does this poem provide a glimpse of?
Poem 2: Kissing in Vietnamese by Ocean Vuong
My grandmother kisses
as if bombs are bursting in the backyard,
where mint and jasmine lace their perfumes
through the kitchen window,
as if somewhere, a body is falling apart 5
and flames are making their way back
through the intricacies of a young boy’s thigh,
as if to walk out the door, your torso
would dance from exit wounds.
When my grandmother kisses, there would be 10
no flashy smooching, no western music
of pursed lips, she kisses as if to breathe
you inside her, nose pressed to cheek
so that your scent is relearned
and your sweat pearls into drops of gold 15
inside her lungs, as if while she holds you
death also, is clutching your wrist.
My grandmother kisses as if history
never ended, as if somewhere
a body is still 20
falling apart.
10 Who is the speaker of the poem?
Poem 2: Kissing in Vietnamese by Ocean Vuong
My grandmother kisses
as if bombs are bursting in the backyard,
where mint and jasmine lace their perfumes
through the kitchen window,
as if somewhere, a body is falling apart 5
and flames are making their way back
through the intricacies of a young boy’s thigh,
as if to walk out the door, your torso
would dance from exit wounds.
When my grandmother kisses, there would be 10
no flashy smooching, no western music
of pursed lips, she kisses as if to breathe
you inside her, nose pressed to cheek
so that your scent is relearned
and your sweat pearls into drops of gold 15
inside her lungs, as if while she holds you
death also, is clutching your wrist.
My grandmother kisses as if history
never ended, as if somewhere
a body is still 20
falling apart.
11 These lines utilise simile in the poem, except:
Poem 2: Kissing in Vietnamese by Ocean Vuong
My grandmother kisses
as if bombs are bursting in the backyard,
where mint and jasmine lace their perfumes
through the kitchen window,
as if somewhere, a body is falling apart 5
and flames are making their way back
through the intricacies of a young boy’s thigh,
as if to walk out the door, your torso
would dance from exit wounds.
When my grandmother kisses, there would be 10
no flashy smooching, no western music
of pursed lips, she kisses as if to breathe
you inside her, nose pressed to cheek
so that your scent is relearned
and your sweat pearls into drops of gold 15
inside her lungs, as if while she holds you
death also, is clutching your wrist.
My grandmother kisses as if history
never ended, as if somewhere
a body is still 20
falling apart.
12 In lines 3 – 4, what type of imagery is present?
Poem 2: Kissing in Vietnamese by Ocean Vuong
My grandmother kisses
as if bombs are bursting in the backyard,
where mint and jasmine lace their perfumes
through the kitchen window,
as if somewhere, a body is falling apart 5
and flames are making their way back
through the intricacies of a young boy’s thigh,
as if to walk out the door, your torso
would dance from exit wounds.
When my grandmother kisses, there would be 10
no flashy smooching, no western music
of pursed lips, she kisses as if to breathe
you inside her, nose pressed to cheek
so that your scent is relearned
and your sweat pearls into drops of gold 15
inside her lungs, as if while she holds you
death also, is clutching your wrist.
My grandmother kisses as if history
never ended, as if somewhere
a body is still 20
falling apart.
13 Which of these lines show personification?
I. Lines 1 – 2
II. Lines 6 – 7
III. Lines 8 – 9
IV. Lines 18 – 19
Poem 2: Kissing in Vietnamese by Ocean Vuong
My grandmother kisses
as if bombs are bursting in the backyard,
where mint and jasmine lace their perfumes
through the kitchen window,
as if somewhere, a body is falling apart 5
and flames are making their way back
through the intricacies of a young boy’s thigh,
as if to walk out the door, your torso
would dance from exit wounds.
When my grandmother kisses, there would be 10
no flashy smooching, no western music
of pursed lips, she kisses as if to breathe
you inside her, nose pressed to cheek
so that your scent is relearned
and your sweat pearls into drops of gold 15
inside her lungs, as if while she holds you
death also, is clutching your wrist.
My grandmother kisses as if history
never ended, as if somewhere
a body is still 20
falling apart.
14 What line in the poem makes it clear that in reality, the war is already over?
Poem 2: Kissing in Vietnamese by Ocean Vuong
My grandmother kisses
as if bombs are bursting in the backyard,
where mint and jasmine lace their perfumes
through the kitchen window,
as if somewhere, a body is falling apart 5
and flames are making their way back
through the intricacies of a young boy’s thigh,
as if to walk out the door, your torso
would dance from exit wounds.
When my grandmother kisses, there would be 10
no flashy smooching, no western music
of pursed lips, she kisses as if to breathe
you inside her, nose pressed to cheek
so that your scent is relearned
and your sweat pearls into drops of gold 15
inside her lungs, as if while she holds you
death also, is clutching your wrist.
My grandmother kisses as if history
never ended, as if somewhere
a body is still 20
falling apart.
15 What figure of speech is used in the phrase “she kisses as if to breathe you inside
her?”
Poem 2: Kissing in Vietnamese by Ocean Vuong
My grandmother kisses
as if bombs are bursting in the backyard,
where mint and jasmine lace their perfumes
through the kitchen window,
as if somewhere, a body is falling apart 5
and flames are making their way back
through the intricacies of a young boy’s thigh,
as if to walk out the door, your torso
would dance from exit wounds.
When my grandmother kisses, there would be 10
no flashy smooching, no western music
of pursed lips, she kisses as if to breathe
you inside her, nose pressed to cheek
so that your scent is relearned
and your sweat pearls into drops of gold 15
inside her lungs, as if while she holds you
death also, is clutching your wrist.
My grandmother kisses as if history
never ended, as if somewhere
a body is still 20
falling apart.
16 In lines 13 – 14, what imagery is present?
Poem 3: The Stick-Together Families by Edgar Guest
The stick-together families are happier by far
Than the brothers and the sisters who take separate highways are.
The gladdest people living are the wholesome folks who make
A circle at the fireside that no power but death can break.
And the finest of conventions ever held beneath the sun 5
Are the little family gatherings when the busy day is done.
There are rich folk, there are poor folk, who imagine they are wise,
And they’re very quick to shatter all the little family ties.
Each goes searching after pleasure in his own selected way,
Each with strangers likes to wander, and with strangers likes to play. 10
But it’s bitterness they harvest, and it’s empty joy they find,
For the children that are wisest are the stick-together kind.
There are some who seem to fancy that for gladness they must roam,
That for smiles that are the brightest they must wander far from home.
That the strange friend is the true friend, and they travel far astray 15
they waste their lives in striving for a joy that’s far away,
But the gladdest sort of people, when the busy day is done,
Are the brothers and the sisters who together share their fun.
It’s the stick-together family that wins the joys of earth,
That hears the sweetest music and that finds the finest mirth; 20
It’s the old home roof that shelters all the charm that life can give;
There you find the gladdest play-ground, there the happiest spot to live.
And, O weary, wandering brother, if contentment you would win,
Come you back unto the fireside and be comrade with your kin.
17 What does the poet want to imply in the 1st stanza?
Poem 3: The Stick-Together Families by Edgar Guest
The stick-together families are happier by far
Than the brothers and the sisters who take separate highways are.
The gladdest people living are the wholesome folks who make
A circle at the fireside that no power but death can break.
And the finest of conventions ever held beneath the sun 5
Are the little family gatherings when the busy day is done.
There are rich folk, there are poor folk, who imagine they are wise,
And they’re very quick to shatter all the little family ties.
Each goes searching after pleasure in his own selected way,
Each with strangers likes to wander, and with strangers likes to play. 10
But it’s bitterness they harvest, and it’s empty joy they find,
For the children that are wisest are the stick-together kind.
There are some who seem to fancy that for gladness they must roam,
That for smiles that are the brightest they must wander far from home.
That the strange friend is the true friend, and they travel far astray 15
they waste their lives in striving for a joy that’s far away,
But the gladdest sort of people, when the busy day is done,
Are the brothers and the sisters who together share their fun.
It’s the stick-together family that wins the joys of earth,
That hears the sweetest music and that finds the finest mirth; 20
It’s the old home roof that shelters all the charm that life can give;
There you find the gladdest play-ground, there the happiest spot to live.
And, O weary, wandering brother, if contentment you would win,
Come you back unto the fireside and be comrade with your kin.
18 In line 4, what does the phrase “A circle at the fireside that no power but death can break” imply?
Poem 3: The Stick-Together Families by Edgar Guest
The stick-together families are happier by far
Than the brothers and the sisters who take separate highways are.
The gladdest people living are the wholesome folks who make
A circle at the fireside that no power but death can break.
And the finest of conventions ever held beneath the sun 5
Are the little family gatherings when the busy day is done.
There are rich folk, there are poor folk, who imagine they are wise,
And they’re very quick to shatter all the little family ties.
Each goes searching after pleasure in his own selected way,
Each with strangers likes to wander, and with strangers likes to play. 10
But it’s bitterness they harvest, and it’s empty joy they find,
For the children that are wisest are the stick-together kind.
There are some who seem to fancy that for gladness they must roam,
That for smiles that are the brightest they must wander far from home.
That the strange friend is the true friend, and they travel far astray 15
they waste their lives in striving for a joy that’s far away,
But the gladdest sort of people, when the busy day is done,
Are the brothers and the sisters who together share their fun.
It’s the stick-together family that wins the joys of earth,
That hears the sweetest music and that finds the finest mirth; 20
It’s the old home roof that shelters all the charm that life can give;
There you find the gladdest play-ground, there the happiest spot to live.
And, O weary, wandering brother, if contentment you would win,
Come you back unto the fireside and be comrade with your kin.
19 In the 2nd stanza, what does the poet want to imply about those who shatter family ties?
Poem 3: The Stick-Together Families by Edgar Guest
The stick-together families are happier by far
Than the brothers and the sisters who take separate highways are.
The gladdest people living are the wholesome folks who make
A circle at the fireside that no power but death can break.
And the finest of conventions ever held beneath the sun 5
Are the little family gatherings when the busy day is done.
There are rich folk, there are poor folk, who imagine they are wise,
And they’re very quick to shatter all the little family ties.
Each goes searching after pleasure in his own selected way,
Each with strangers likes to wander, and with strangers likes to play. 10
But it’s bitterness they harvest, and it’s empty joy they find,
For the children that are wisest are the stick-together kind.
There are some who seem to fancy that for gladness they must roam,
That for smiles that are the brightest they must wander far from home.
That the strange friend is the true friend, and they travel far astray 15
they waste their lives in striving for a joy that’s far away,
But the gladdest sort of people, when the busy day is done,
Are the brothers and the sisters who together share their fun.
It’s the stick-together family that wins the joys of earth,
That hears the sweetest music and that finds the finest mirth; 20
It’s the old home roof that shelters all the charm that life can give;
There you find the gladdest play-ground, there the happiest spot to live.
And, O weary, wandering brother, if contentment you would win,
Come you back unto the fireside and be comrade with your kin.
20 In the 2nd stanza, who does the poet consider as the wisest?
Poem 3: The Stick-Together Families by Edgar Guest
The stick-together families are happier by far
Than the brothers and the sisters who take separate highways are.
The gladdest people living are the wholesome folks who make
A circle at the fireside that no power but death can break.
And the finest of conventions ever held beneath the sun 5
Are the little family gatherings when the busy day is done.
There are rich folk, there are poor folk, who imagine they are wise,
And they’re very quick to shatter all the little family ties.
Each goes searching after pleasure in his own selected way,
Each with strangers likes to wander, and with strangers likes to play. 10
But it’s bitterness they harvest, and it’s empty joy they find,
For the children that are wisest are the stick-together kind.
There are some who seem to fancy that for gladness they must roam,
That for smiles that are the brightest they must wander far from home.
That the strange friend is the true friend, and they travel far astray 15
they waste their lives in striving for a joy that’s far away,
But the gladdest sort of people, when the busy day is done,
Are the brothers and the sisters who together share their fun.
It’s the stick-together family that wins the joys of earth,
That hears the sweetest music and that finds the finest mirth; 20
It’s the old home roof that shelters all the charm that life can give;
There you find the gladdest play-ground, there the happiest spot to live.
And, O weary, wandering brother, if contentment you would win,
Come you back unto the fireside and be comrade with your kin.
21 What is the poet’s opinion about the idea of “roaming” to find joy?
Poem 3: The Stick-Together Families by Edgar Guest
The stick-together families are happier by far
Than the brothers and the sisters who take separate highways are.
The gladdest people living are the wholesome folks who make
A circle at the fireside that no power but death can break.
And the finest of conventions ever held beneath the sun 5
Are the little family gatherings when the busy day is done.
There are rich folk, there are poor folk, who imagine they are wise,
And they’re very quick to shatter all the little family ties.
Each goes searching after pleasure in his own selected way,
Each with strangers likes to wander, and with strangers likes to play. 10
But it’s bitterness they harvest, and it’s empty joy they find,
For the children that are wisest are the stick-together kind.
There are some who seem to fancy that for gladness they must roam,
That for smiles that are the brightest they must wander far from home.
That the strange friend is the true friend, and they travel far astray 15
they waste their lives in striving for a joy that’s far away,
But the gladdest sort of people, when the busy day is done,
Are the brothers and the sisters who together share their fun.
It’s the stick-together family that wins the joys of earth,
That hears the sweetest music and that finds the finest mirth; 20
It’s the old home roof that shelters all the charm that life can give;
There you find the gladdest play-ground, there the happiest spot to live.
And, O weary, wandering brother, if contentment you would win,
Come you back unto the fireside and be comrade with your kin.
22 In the 3rd stanza, what does the poet suggest for us to do in order to find joy?
Poem 3: The Stick-Together Families by Edgar Guest
The stick-together families are happier by far
Than the brothers and the sisters who take separate highways are.
The gladdest people living are the wholesome folks who make
A circle at the fireside that no power but death can break.
And the finest of conventions ever held beneath the sun 5
Are the little family gatherings when the busy day is done.
There are rich folk, there are poor folk, who imagine they are wise,
And they’re very quick to shatter all the little family ties.
Each goes searching after pleasure in his own selected way,
Each with strangers likes to wander, and with strangers likes to play. 10
But it’s bitterness they harvest, and it’s empty joy they find,
For the children that are wisest are the stick-together kind.
There are some who seem to fancy that for gladness they must roam,
That for smiles that are the brightest they must wander far from home.
That the strange friend is the true friend, and they travel far astray 15
they waste their lives in striving for a joy that’s far away,
But the gladdest sort of people, when the busy day is done,
Are the brothers and the sisters who together share their fun.
It’s the stick-together family that wins the joys of earth,
That hears the sweetest music and that finds the finest mirth; 20
It’s the old home roof that shelters all the charm that life can give;
There you find the gladdest play-ground, there the happiest spot to live.
And, O weary, wandering brother, if contentment you would win,
Come you back unto the fireside and be comrade with your kin.
23 In the 4th stanza, why does the poem keep on talking about stick-together families?
Poem 3: The Stick-Together Families by Edgar Guest
The stick-together families are happier by far
Than the brothers and the sisters who take separate highways are.
The gladdest people living are the wholesome folks who make
A circle at the fireside that no power but death can break.
And the finest of conventions ever held beneath the sun 5
Are the little family gatherings when the busy day is done.
There are rich folk, there are poor folk, who imagine they are wise,
And they’re very quick to shatter all the little family ties.
Each goes searching after pleasure in his own selected way,
Each with strangers likes to wander, and with strangers likes to play. 10
But it’s bitterness they harvest, and it’s empty joy they find,
For the children that are wisest are the stick-together kind.
There are some who seem to fancy that for gladness they must roam,
That for smiles that are the brightest they must wander far from home.
That the strange friend is the true friend, and they travel far astray 15
they waste their lives in striving for a joy that’s far away,
But the gladdest sort of people, when the busy day is done,
Are the brothers and the sisters who together share their fun.
It’s the stick-together family that wins the joys of earth,
That hears the sweetest music and that finds the finest mirth; 20
It’s the old home roof that shelters all the charm that life can give;
There you find the gladdest play-ground, there the happiest spot to live.
And, O weary, wandering brother, if contentment you would win,
Come you back unto the fireside and be comrade with your kin.
24 In the last two lines of the poem, what can we imply about the wandering brother?